Outlaw X6 CGR Lens Ruby

In stock
SKU
OX6LRCGR
£249.86 £208.22
Quick Overview

This is our classic orange lifting lens colour profile. The Ruby lens is a red based lens with the largest boost in target orange in our CGR collection. The lens accelerates the orange pieces of the visual spectrum to produce vivid orange targets while the edges of the targets are precisely defined. For the shooter looking for the best all -around CGR lens to light up the target the Ruby lens is the choice – Dimples, rings, and the leading edge of the targets are clearly identified with this special light regulation technology.

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Non Progressive:

10CED

Full Sun - Enhanced Definition.
The 18 CED has been the stand out lens of 2018/9 and the new 10CED has all the same qualities but with lowest light transmittance that Pilla has to offer. Zeiss Chromashift lifts the sight picture meaning that the target is actually enhanced and vibrant.
Astonishing to get this level of colour enhancement in such a dark lens.

  • Only 10% transmittance
  • Rich and highly defined sight pictures
  • Enhance filter profile to lift more colour

16CHRC

Full Sun - High Contrast.
The 16 CHRC has 16% Transmittance and Chromashift Red High Contrast. A solid filter for those looking for an increased colour boost in full sun. This lens uses the 18RHC as a base filter while accelerating colour for target shooting. This lens uses Zeiss Chromashift pigments to enhance definition with a new coating. Neutralises green backgrounds and boosts orange by 600%.

  • 16% transmittance
  • Neutralises Green
  • Chromashift red high contrast

18CED

Full Sun - Enhanced Definition.
Sitting square between the 10 and 30 CED. The 18CED boosts orange, reduces glare and will cope with light cloud cover and shaded areas too. It also utilises the latest Zeiss Chromashift technology to enhance the target. This 18% lens filtration lens has rich natural colour enhancement while cutting glare with “Super Flash” - a new high performance coating on the exterior of the mask for glare reduction in full Sun while elegantly showcasing all colour targets.

  • 18% transmittance
  • Rich natural colour enhancement
  • Up to 600% boost in orange

20CN

Full Sun - Enhances Green.
The 20CN is the latest version of the classic background neutraliser and is more subtle than the 16CHRC. The sight picture is more natural. Suppresses green backgrounds, while utilising the latest Zeiss Chromashift to pop the target. If you liked the 22n or 44n then this is the natural choice. A sun lens that is not as dark as the 18, 16 or 10 but will still reduce glare.

  • 20% transmittance
  • Classic background neutraliser

28CR

Full Sun - True Red Lens.
The new Raspberry Chromashift lens harnesses the filter of the Progressive Cherry in a Solid Filter. This is the first true “Red” based lens Pilla has brought to the market with the ZEISS platform.Vibrant colour enhancing technology, that will make targets vibrate with clarity. Particularly strong at focusing on a driven clay or pheasant. This is a full sun lens with vivid colour enhancing capability. Perfect for shooting into blue skies and open fields.

  • 28% transmittance
  • Full sun lens
  • First true ‘Red’ based lens

30CED

Full Sun to Medium Light - Enhanced Definition.
The 26 ED was one of the most sought after lenses for those that are not too sensitive to light and want a versatile sun lens.The new 30 CED takes all these qualities and adds the Zeiss Chromashift to boost the target. If you are looking for a sun lens that is more than capable to deal with medium and high light too then the new 30 CED should be top of your list.

  • 30% transmittance
  • Enhanced colour saturation
  • Rich colour reproduction

35DC

Bright Light - A Unique Lens.
A real love or hate lens. Excellent for those with colour blind issues. If you struggle to pick out orange this lens turns it to a dark purple/black. Originally designed for archery, Pilla introduced this lens to the shooting market in 2015. Those without colour blind issues have had success when shooting black clays in a bright blue sky. The 60 DC version is very good in cloudy, grey skies.

  • 35% transmittance
  • Ideal for colour blindness

40CN

Medium Light - Neutralises Green.
Chromashift Neutraliser. This new lens uses the 44N as a base while enhancing the filter efficiency of the colour enhancing profile. This new spectral curve is delivered using Chromashift pigment technology to boost pink and orange while killing the green background in medium light.

  • 40% transmittance
  • Boosts pink and red
  • Mirrored Finish
  • Builds on the success of the 44n by offering a higher boost in target orange

44 CMX

Medium Light - MAX orange lens.
SUPER BOOSTING filter for maximum boost in orange and pink. Latest EXCLUSIVE Chromashift costing reduces glare.

  • 44% transmittance
  • Medium Light Lens
  • MAX ORANGE. Boost in Orange and pink targets

48RHC

Medium Light - High Contrast.
The new 48 RHC builds on the success of the 50 RHC filter with a new Violet Chromashift coating and colour enhancing pigment that delivers a more robust technology. This lens is a medium lighting lens where “Yellow” light dominates the sight picture. Kills green backgrounds, boosts target colour.

  • 48% transmittance
  • Chromashift Red High Contrast

50 CED

Medium Light - Enhanced Defintion.
The new 50 CED expands on the success of the 10 and 18 CED. While these two lenses are ideal in sunny conditions, the 50 CED is for medium light. A great all rounder for enhancing definition, sharpening the whole sight picture while giving an extra boost in orange and pink.

  • 50% Light Transmittance
  • Enhanced Definition, boosts orange

50 CHCL

Medium Light version of the very popular 92 CHCL.
A subtle lens, for the shooter that doesn't want to manipulate colour. Instead, the 50 increases clarity and contrast. A good comparison would be watching a normal TV then switching to 4k HD.

  • 50% Light Transmittance
  • High Contrast with the latest Chromashift form Zeiss

52CHC

Medium Light - Rose, High Contrast.
Chromashift, high contrast. elevating more colour with rich definition in the sight picture. Fantastic at boosting pinks, oranges, greens, especially in grey/flat skies.

  • 52% transmittance
  • High contrast rose

55PWC

Medium Light - Peach, Chromashift.
The 55PWC utilises both Max Orange Technology and Chromashift. Accelerates both Pink and Orange targets and even lime green.

  • 55% transmittance
  • Produces rich colour saturation

60CHWC

Medium to Low Light, Chromashift.
The 60CHW is balanced lens, harnessing Zeiss Chromashift technology. Strong bump of orange in diminishing light conditions. This is a great lens for all those that are looking for a very balanced experience with natural elevation of colour in grey conditions.

  • 60% transmittance
  • Balanced lens

60DC

Grey Light.
The 60DC is a light blue lens and a more subtle version of the 35DC. Excellent for those with colour blind issues. If you struggle to pick out orange this lens turns it to a medium purple/black. Originally designed for archery Pilla introduced this lens to the shooting market in 2015. Those without colour blind issues have had success using the 60DC when shooting black clays in a grey sky.

  • 60% transmittance
  • Ideal for colour blindness issues

62 CHCP

Medium to Low Light Max Orange.
600% more boost in the Orange part of the visual spectrum with the 60HCP. This is key for clay target shooters looking for maximum registration of target Orange in medium to low light. This gives the eye the ability to acquire the target quickly and accurately while maintaining depth of field.

  • 62% transmittance
  • 600% orange boost

64CB

Medium to Low light - Banana Chromashift.
The 64 CB - Chromashift BANANA is a vibrant medium grey light introduction for Pilla. A very clever lens that, although lower transmittance than the 80 or 94, uses Chromashift pigments with a Copper coating to enhance the sight picture of both clay targets and live game in the field. The shooters actual visual awareness is elevated with this new colour lifting lens. Being a lower transmittance it is more usable in medium light as well as low light.

  • 64% transmittance
  • Colour lifting lens

64 CMX

Low Light. MAX orange lens.
SUPER BOOSTING filter for maximum boost in orange and pink. Latest EXCLUSIVE Chromashift costing reduces glare.

  • 64% transmittance
  • Low Light Lens
  • MAX ORANGE. Boost in Orange and pink targets

67CWN

Low Light - Neutralises Green.
67 CWN - Chromashift Max/Neutraliser. This new lens formulation blends the 66N and the 69MWN using the latest Zeiss Chromashift coating. This new filter will boost orange while using Pilla’s green background neutraliser to dumb down green. The 67CWN is a great lens for those that would like a more subtle colour boost. Often referred to as the ‘Scottish lens’ for its ability to work well in grey flat skies.

  • 67% transmittance
  • Subtle colour boost
  • Neutralises green backgrounds

70PWC

Low Light - Peach, Boost in Colour Targets.
Very good at picking out targets against grey sky. “Light Peach”- The 70PWC is a new low light formulation utilizing Chromashift for a handsome bump in target orange and pink at low light levels. This is a natural reproduction of the colour spectrum in low light with all wavelengths lifted and orange/pink spiked. The lens is fully coated with a 7-Layer ZEISS anti-reflective coating.

  • 70% transmittance
  • A lighter version of the very popular 55PWC

80HC

Low Light - Yellow High Contrast.
High Contrast. This new solid filter uses the 76HC as a base while boosting colour in low light. The lens is brighter in low light and benefits from the Chromashift pigment technology and has a new front side coating to reduce glare. This is a must have low light lens.

  • 80% transmittance
  • Classic yellow shooting lens for low light
  • Chromashift technology

92CHCL

Low Light - Green. Subtle High Contrast.
Where the 80HC is like turning the lights on, the 92 is effective in a more subtle way. Cutting through grey light, drizzle and fog. At several shoots we have demonstrated this lens when a green target is presented against a green background some shooters couldn’t even see the target until they put on the 94HC. A subtle lens that is truly impressive in dark conditions or for those that need more light. Replacing the very popular 94HC, the 92 adds the latest Zeiss Chromashift tech to enhance orange with an anti-glare finish.

  • 92% transmittance
  • Subtle low light lens
  • Perfect for both game and clay shooting

98AR

Clear Lens with Anti-Reflective Coating.
Want a clear lens? Then this is the one you need. The 98AR is the highest transmittance lens Pilla has to offer. The anti-reflective technology on the backside of the lens makes this perfect for night shooting.

  • 98% transmittance
  • Pilla’s clearest lens
  • Perfect for night shooting

Please call 01273 956186 for advice. All lenses and frames available for next day delivery.


Progressive and Chromashift Progressive Lenses:

What is progressive? Zeiss have developed the progressive lenses to let more light in to the bottom of the eye and constrict the Iris. This works in a similar way to camera. Helps you focus on the target better.

What is Chromashift Progressive? Chromashift adds an anti-glare finish and a bigger boost on orange and pink than standard progressive.

CPC - Chromashift Progressive Cherry

Major boost in orange.
Combines the chroma shift ant-glare and boost with the benefits of progressive letting more light in to the bottom of the eye.

For our shooters that remember the 50R Ballistx technology, our PC lens is an accelerated filter using the 50R as a base. This new technology provides a balanced visual colour profile while pushing pink and orange significantly harnessing the benefit of the ZEISS Progressive Light injection platform. The lens is fully coated with a 7-Layer ZEISS antireflective coating and ZEISS Pilla Hydro-Pel to resist dust and lens smudging.

PCM - Progressive Chromashift Mango

The latest in the progressive range. Highlighting clays in medium light using chromashift. A great all rounder.

CPDF - Chromashift Progressive Dragon Fruit

A very bright lens for medium light. Pop target orange with increased depth of field.

PED - Brown

Progressive Enhanced Definition - This lens offers consistent enhancement of the colour spectrum while the bottom accelerates the perceptive value of light. The top of the lens has a transmittance of 22% with the bottom having a transmittance of 78%.

PG - Grape

A blend of all the RHC lenses. As with the PN and PP this lens will work very well against green backgrounds.

CPM - Orange

Progressive Max with Chromashift - Max Orange Filtration Technology accelerates the registration of target Orange through out the transmittance curve from top to bottom: 35% - 55% filtration.

CPN - Purple

Chromashift Progressive Neutraliser - The lens on top reflects a 20% transmittance while the bottom reflects a transmittance of 68%. Fantastic for green backgrounds.

PL - Lemon

Progressive Lemon - The top of the lens uses a high-intensity lemon filtration and the bottom allows for a splash of light into the eye for enhanced depth of field in low light. The top of the lens has a 70% transmittance while the bottom has a 95% transmittance.

PLM - Lime

Following the enormously successful launch of PROGRESSIVE VIVX, Pilla is introducing a new twist on Progressive with our LIME (PLM) lens. This lens uses our 94HC filtration science as a base colour curve and infuses our Progressive Technology in a fantastic lens for low light. This lens has rich colour lift while maintaining maximum depth of field in low light. The lens excels in the woods as well or even under lights. This is a great compliment to the Progressive “PL” lens where flat grey light is artificial enhanced. The Lime lens is for low light where you do not need a perceptive enhancement of light. Meaning a light bulb effect. The LIME lens is very balanced in low lighting conditions. The top of the lens starts at 75% transmittance while the bottom has a 99% transmittance.

PP - Plum

A blend of the 50 RHC and the 69MWN, Progressive Enhanced Definition - This lens offers consistent enhancement of the colour spectrum while the bottom accelerates the perceptive value of light. The top of the lens has a transmittance of 22% with the bottom having a transmittance of 78%.

This is our classic orange lifting lens colour profile. The Ruby lens is a red based lens with the largest boost in target orange in our CGR collection. The lens accelerates the orange pieces of the visual spectrum to produce vivid orange targets while the edges of the targets are precisely defined. For the shooter looking for the best all -around CGR lens to light up the target the Ruby lens is the choice – Dimples, rings, and the leading edge of the targets are clearly identified with this special light regulation technology.

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